It was made into a film by the resurgent Hammer Horror film studio in 2012 starring Daniel Radcliffe, but it was a largely forgettable experience relying too much on incredible CGI and typically creepy child actors. It was. In this version, the Woman in Black looks more like a hackneyed, digitalized Hollywood hag than a human being, and everything that follows is therefore lacking in nuance.
What makes it so unique?
For Starring Rollins, the reason the 1989 television version remains the best adaptation of Hill’s famous novel is largely due to its innately British feel. “It was like traveling back in time to the Victorian era, and Herbert Wise captured the monotony of that time so well. It made the world feel more alive and the ghosts more believable.” he says.
The characters mention drinking beef tea to feel better. The environments (which cleverly make use of real countryside locations, such as Essex’s Osea Island and Chrisyn Gifford’s double Wiltshire village of Lacock) look truly lived-in. And acclaimed playwright Nigel Kneale masterfully captures the colloquialisms of the time through dialogue in which his characters speak to each other with genuine warmth (for example, “we were deprived” in reference to not having children). some say). I have no doubt that we will see some real developments after that.
More like this:
• British “lost” horror, Rosemary’s Baby
• Britain’s creepiest new horror stories
• Why Godzilla is the darkest monster movie ever made
“I remember walking on set and being absolutely amazed at what the art department had accomplished down to the smallest detail,” Rollins recalls. “There’s an incredible amount of restraint and the fear builds very slowly. I was really lucky to be in such a great production as my first proper leading role.”
The naturally humble actor, who was chosen to play Harry Potter’s father in the popular wizarding series, tends to downplay his performance. But that’s a big reason why 1989’s The Woman in Black packs such a powerful punch. In every scene, Rollins’ gaze is filled with the perfect mix of anguish and empathy. His take on The Woman in Black ultimately leaves the viewer feeling a little bit of sadness for this ghost, and as he descends into madness, we see this struggle. It makes me want to hug the father of two and tell him to do his best.
Rollins said, “You know, it was very easy for me, because any time Pauline appears, I just have to look at her until I get chills.” Another reason why it was so successful as a piece of work is how I think it looks gloomy. We were filming in the cold.” Pauline was wearing long johns and thermals under a Victorian corset, with all the wet tombstones and clouds of mist. A truly authentic British ghost story. ”
