Most tourists in Rome placed the Colosseum at the top of their to-see list. (My step-sister plans to quickly go on a honeymoon in Italy, and head more or less straight from the airport to its prestigious abandoned in.) Even those who are not particularly interested in ancient Roman civilizations have stepped into the spaces that were once arenas – from Latin HarenaSee the sand that lies lying to shed blood in battle – fill your imagination with images of the imagination, the lion, the senators glowing from their courtside seats, and the Bayesian masses behind them. However, their vision may not include other history-to-historical details, such as trapdoors, gradual naval battles, and underground systems of tunnels and elevators. All of these are explained. new Disassembly The above video.
Even casual Roman enthusiasts know that both human and animal contestants and other performers pass through the official entrance to the Colosseum through the floor. (A few years ago, an announcement was made on the effect of the mechanized beds that made this possible a play to be rebuilt by 2023. This is a project that appears to have yet to advance whether the Messina Bridge’s Strait will be postponed unless it is seen yet.)
But the most obsession is merely understanding exactly how it worked. This video is clearly explained in both words and 3D renderings, restoring elements of the immediate urban context that have been lost not only in the building itself but also in the time.
Take Bellariuma retractable awning consisting of “long strips wound around a drum mounted on a wooden frame and supported by 240 masts that are secured to sockets along the upper cornice of the amphitheater.” Each of the 240 strips operated by independent winches required at least many human operators to deploy or withdraw at speed. Perhaps it’s a greater speed than some of the retractable roof operations built into today’s sports facilities. “It’s not just an engineering feat, but a precursor to modern stadium design,” Berarium addressed the issue that barely escapes notifications from modern tourists today, especially those visiting the Colosseum during the summer day.
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Based in Seoul Colin marshall Write and broadcasting stationTS about cities, languages, and culture. His projects include the Substack Newsletter Books about cities And the book The Stateless City: Walking through 21st century Los Angeles. Follow him on social networks previously known as Twitter @colinmarshall.
