That’s how… it gave us one of the strangest fashion moments on TV

From sex and city to sequels, heroine Carrie Bradshaw has always pushed boats out with her fashion. But her latest hat choice has shocked viewers more than ever.

Other news was unfolding around the world on May 20, 2024, but in one corner of the internet there was only one topic of conversation. It was Is that Sarah Jessica Parker’s head?

Parker was filmed as Carrie Bradshaw in the third season. Just like that… In New York there were incredibly oversized floppies, brown and white gingham bonnets with two straps drooping. “Is that a pillow case?” One commented It appeared on global news sites after Parker posted a photo of herself wearing the problematic item on her Instagram account. “Wear a diaper bag as a hat, clever!” I posted another post, but there was another less effective comparison of a 1980s strawberry shortcake doll and Little Miss Muffet sitting on top of her tafett. “That’s totally indifferent,” says the journalist. cut The entire outfit was summed up since 1973, when hats were paired with striped coloured Ossie Clark dresses and Dr. Shoal’s sandals.

A year later, the opening episode of the sequel series to The Sex and The City, featuring The Giant Headwear, was screened. Fans are even more confused. “Carry Girl…” One viewer wrote to X. “What the hell is this hat?” Another addition: “I saw Carrie’s hat. I’m traumatized.” “It can be the wildest of Carrie’s fashion choices, but the duvet cover of this hat is really indifferent,” commented, but others jumped out to that defense.

Finally, seeing the scene in context, we know that Carrie was not wearing a hat for mischief or fancy dress, but perhaps the most shocking thing is that it is not entirely mentioned by Carrie’s friend Sheema Patel (Sarita Chowdhury) and other passersby. There is no single drive-by diss from the famous New York taxi driver. “This girl is very confident and confident,” Sheema says in connection with Carrie, but rather than her amazing selection of ornaments, she talks about her relaxed on-off relationship with Aidan Shaw (John Corbett).

“Carrie Bradshaw always pressed envelopes with his hat,” says Laurengaroni, a fashion/pop culture podcast and Instagram account. All costumes. “But this is the most insane thing she’s ever worn.” Her all-costume partner, Chelsea, is both self-titled “Sex and City Historian” – agrees to “wearing a hat of this size on the streets of the New York border on performance art.”

“It’s hard to imagine the thought process behind costume design,” Galloni said, “With the fact that Carrie is an eccentric dresser, perhaps they wanted to play fashion this season?

A dig out of fashion detectives at the time revealed that the hat in question was a €450 (£379) work called Head in the clouds of artist Mary am Keehani. Website IS: “Only for the brave and sensitive.” Keyhoney said Guardian She added that Carrie was “pure pride and joy” as she puts a hat on the screen, “she appears to completely ignore what mainstream culture conveys to her – her inner world is far more important than the outside world.” Perhaps in response to Cut’s criticism, Kihani added:

So how did one of Carrie’s most controversial looks come to fruition? The whole outfit is such a creative vision, and it’s just like that. And although that might seem like the result of a random ranmerge through a second-hand store. The pair were drawn from Carrie’s Life and planned events in Series 3 to build a wardrobe choice.

“There’s a big plot point that it has had a big impact on Carrie’s style this season,” Rodgers tells the BBC. Carrie’s first big news is that she decides to move from a writer of sex memoirs to a novelist of historic romance – her editor asks her to pivot to become trending in the world of publishing – perhaps she Jane Austen Or the bonnet of the Bronte sisters to inspire her new and innovative era.

Another change in her life was that Carrie began to spend time at a rural farmhouse in Aidan, Virginia. In a later episode, she blows out her old-fashioned local gown “Carry’s Little House.” Either consciously or unconscious, Carrie appears to be playing with her new identity through the medium she knows best: Fashion – check if the cap fits.

Regarding the hat itself, Rogers says, “I love the designer of that hat, Mariam Keehani. Danny met her on Instagram,” explaining that they sucked the head of the cloud piece. It was a co-signature from Parker, she adds.

“I saw that hat, and I wanted it on my head right away.” Parker told the glamour. “My feelings are, when I see something like that, who doesn’t want it in my head? And can’t find the reason for it? Sometimes it’s necessary to project the need in a place where it doesn’t exist… it didn’t seem like it was intruding into the scene or even actually something.

Previously, there was hat drama on such sets. When showrunner Michael Patrick King banned hats he found at the Clinyancourt flea market in Paris, and Parker was also adored from the Series 1 finale. this, According to it, just like that… documentarywon the title of “Hat Killer” by Rogers and Santiago. However, Rogers says Patrick King had no issues with the big bonnet in Season 3.

Rogers adds that the hat represents a deeper meaning to her. Fashion as a resistance. “[Keyhani and I] She is a true artist and a free spirit, so she has come close. She gives me hope that one day there will be a bright day in this country because there is someone she likes and resists. ”

Rogers says he was asked if he was surprised by the public’s reaction to the appearance. Rogers says one of the pitfalls about filming outdoors in one of the busiest cities in the country is that the appearance is open to the public before the show shoots. “The exterior scene gets too much exposure,” she says.

When Garroni and Fairless posted the photo on their Instagram accounts, “The atmosphere in the comments was overwhelmingly negative,” says Fairless. But she adds: “That’s what we can expect. Avant-garde fashion is not designed to appeal to the masses.” “If anything, it’s designed to repel the masses,” adds Garoni.

The often very divisive fashion in the otto is of course why many viewers like to tune that way. When costume designer Patricia Field similarly blends it, like sex and the city before it, Spirit Rogers and Danny Santiago often follow suit. “Don’t take yourself that seriously,” Field said. BBC In 2023, a permanent armchair critic of outrageous on-screen fashion. “Enjoy! Enjoy your life! Try a little originality!”

And if the look doesn’t land, it’s the price, and it’s like that… “And while it may look, it’s intentionally extraordinary. We may have seen some very eccentric outfits on the show, but we’ve seen her more conservatively than ever.

“Some fans want her to wear a classy bias cut dress with a pair of strappy sandals forever. They don’t mind the looks that challenge the traditional concept of “good taste.” Items such as the JW Anderson Hutt wallet from Carrie in Season 2, or the Monkler feather shop ball gown she played sports during the New York snowstorm.

“Fashion has always been a hit or miss,” adds Garoni. “But you can’t get a hit without taking a big risk. That’s what leads to a mistake. The appearance of a carry is always juxtaposed with ‘opposite’ style of clothing, which is never without risk. ” What about whether the large-scale milkmaid bonnets will become popular in the summer of 2025? “I’m not rude to Carrie Bradshaw, but I don’t think most women wear giant gingham hats!” declares Garoni.

“If that’s trending, I’ll eat my words,” or perhaps more appropriate, her hat.