Focusing on ghosts that come to families living in a cozy house in the suburbs Face -to -face It may be like a horror movie Polter Geist, the fear of Amitville, or Death Museum。 However, in the sequel to the technology thriller YouStephen Soderberg and the writer for many years David Corp Say that Face -to -face I have never thought of it as a horror movie or a horror movie.
Corp said in a joint interview with Soderberg, “This is a ghost story,” and Soderberg agreed, and added that the movie is not a horror. For Soderberg, a super psychologist’s mother, the idea of ghosts in the house is not essentially scary. More specifically, it’s not afraid of modern spectators to think about horror. He thinks Face -to -face As “more” Shining More Long legs。“
Mr. Corp explains this further, saying, “In the last 10 to 15 years, the horror has become really noticeable and has changed. Gore and jumps care is huge. People remember that when they hear horror. When I think, I remember Linda Blair “in the MRI tube [in The Exorcist]。 “
David Corp talks about the heritage of Star of Echoes and why he did not see Six Sense
Only at the moment of human anxiety on the ground, Face -to -face I prosper. Use of first person viewpoint – Soderberg, a Helmer and shooting director, was shooting – Face -to -face Following the mysterious spirit that eavesdles the family of the family (Lucy Rue, Chris Sullivan, Carina Lian, Eddie Madey) They are experiencing personal and professional tensions. This existence is a captive audience who seems to be part of his family’s life and wants to help as much as possible, rather than a threat to their families. However, except for the sad teen, there is almost no voice or the ability to be recognized, and the struggle is anxious and painful. This is inspired by Soderberg itself from a ghost.
Face -to -face It is roughly based on Soderberg’s own haunted house.
CALLINA LIANG, CHRIS SULLIVAN, Eddy Maday, Lucy Lui, and Julia Fox are looking for eternal houses for Presence.
Credit: NEON
For the director behind Oceans Eleven and Logan Lucky, its presence It started at Los Angeles’s home, “House View has seen a ghost.” Soderberg has never experienced a paranormal encounter with the spirit at home or other places, but believes in the people who have experienced it -Jeff Ross’s words that shared his terrible story in the program. Quoted Celebrity ghost story – It is from his trust in them and their true vigilance. And he told Mashable, which made him think deeply. “If I was killed in my own house, I started thinking about how other people would come into the house. From there.”
From there, he sent a few pages to the co -op, imagining that the spirit wandered the space and the real estate agent would arrive with the purchasers. “Stephen had the following ideas: Ghost first person’s viewpointEverything is in the same house, and I feel like I want to be a family drama. And I thought, “I see, that’s my favorite three.” I know how to write my family. I love the suppressed space, and your beauty ideas are really cool. ”
“The ghost is a troyal wooden horse in a portrait of a struggling family,” said Soderberg, saying, “And there is an incredible blind spot in the center.”
Mashable top story
From the first -person perspective, all scenes are shot alone and long -lasting without cut. This was a challenge to the Box Movie (as Soderberg said), and the co -op was a scriptwriter of a restricted movie. paper and Panic roomIt was delicious. Still, there is one scene Face -to -face It looks as if it broke this POV framework for a while and had a surprising and clever effect. However, do not call it “wink”.
Why does the first -person perspective have a significant impact on “Presence”?
Stephen Soderberg literally hates wink.
Producer Ken Meyers who poses at Presence Premier, scriptwriter David Corp, producer Julie M. Anderson, and director Steven Soderberg.
Credit: NEON
Face -to -face -Which I defended it as an excellent example of horror in the review —The audience is overturned the ghost story by placing the audience in a gentle spirit at the center. This first -person perspective is a vulnerable sensation that stimulates both the co -op as a writer and the Sodberg as a person who plays this ghost through a camera lens, as often used in slasher movies. Is brought in.
“What is the vulnerability? [crucial]Because on the page he sent to me, he said, “The object looks around the house where no one is, and people come into the closet, and I” Oh, this is scary, this is scary. It is easy to get hurt. ” It was not a scary being, but with some kind of power and authority, everything changed. That’s not the case at all. The opposite is exactly the same. That vulnerability was the key to writing this. ”
However, there is a moment when the Soderberg camera switches from the flowing movement, but instead stops in a high place in his daughter’s bedroom and look down on his daughter sitting at the desk. Then, at the end of the upper right of the screen, a familiar sight appears in the horror movie where the ghost appears. The bedroom door opens slowly as if it moved alone. However, when the audience thinks that the Soderberg has abandoned the first -person POV casually, the family’s father appears and makes the fear of fear of a sense of security.
“It was in the script,” Soderberg acknowledged. “And it was a kind of appropriate time. I don’t want to say wink. I don’t want to say it’s wink. My wife made a mistake early on dating, and what happened to me. I don’t know if it is “I got this motivation, but Winked To me. And I lost my insane and thought, “stop.” So far。 In other words, the word “wink” and the whole concept [repulses me] —I think we were not winking. But for a moment, I liked the idea that they knew, “Oh, they will do that.” And his head comes out and she jumps [in surprise]。 Well, you need to find the moment you are released, absolutely. You know, Jaws Is one of the most interesting movies in the world -the audience wants to be released. [amid the tension]。 ”
Credit: NEON
Soderberg asked why wink is so worried, “I have to dig deeper into why wink is so worrisome in real life. Probably because I don’t understand it. I do that. I can’t think of it. ” It’s my lack of imagination to get into my head that I think it’s a good thing, and who made me feel like that? teeth you? Looking at my reaction, she laughed about it, it didn’t seem to be a big question, “he continued,” And as long as the movie is, I think it’s a very dangerous area. Because, because the default mode is it. ” I was relieved here because I mentioned the whole genre. And it’s different from another movie I made … I’m just upset [winks]。 ”
From there, they discussed how their names and numbers are repeated in each project. But Soderberg claims that this is not a self -mentioned wink. “The company name I often use is perenial,” he explained. “In other words, if you look at my filmography, it probably contains 8 to 9 types of perennials. For a dry cleaner, it’s not a wink, it’s trying to solve the problem. is.”
They learned about each other in 1989, and at that time they were the first films, Soderberg. Sex, lie and video tape And Cap’s Zero apartment – It was screened at the Sundance Film Festival. The co -op once followed up, but Death becomes her According to Soderberg, they did not collaborate until 2022 Kimi. But since then they have met again Face -to -face And the spy drama that will start from now on Black bag。 So, how do they have been together for decades, how do the projects know the best time for the project to collaborate?
Corp said that it was time for casual conversations about ideas to repeat, and the concept grew from there. Soderberg also agreed to this and joked, “I’ll wink!”
Face -to -face Is currently showing at the theater.
