Frank Lloyd Wright Falling water The “House Museum” was originally designed as a residence and is now open to the public. In fact, as explained by the institution’s director Justin Gunther Open space The above videoIt was the first home in a modern movement to open as a public venue, which began offering tours in 1964. The openness of the fall owes much to the efforts of Edgar Kaufman Jr., the son of the Pittsburgh division store, who first commissioned it. The family happened to own land in southern Pennsylvania, but once had employees retreated. fillWright’s recently published autobiography read, knowing who should design the site’s weekend home.
Even for the big boy, that wasn’t a simple process. But fortunately, “Frank Lloyd Wright had just founded an apprenticeship program at Talicin,” the young Kaufman applied, saying, “And of course, Frank Lloyd Wright knew who Kaufman was, but he could sniff out a good potential client.”
Kaufmann quickly accepted and studied under the lights for about six months. Meanwhile, his visiting parents “are obsessed with Wright’s organic architecture ideas.” Perhaps other living architects were unable to deliver the promise of a house completely inspired by the natural context. In this case, a waterfall was included. Still, I wonder if even his most enthusiastic clients understand what they are obsessed with.
“The Kaufmans thought they had a house looking at the waterfall, so of course, the lights had different ideas. He thought it would be a hassle if he constantly portrays the most dramatic part of the landscape of your view. However, “If you were kicked out into the landscape to see it, it would always have an impact.” Instead, using stones built on the waterfall by local workers and quarried there at the site, the house gives a unique impression and creates a perfect aesthetic sense. As Gunther puts it, “Waters cannot live without houses, houses cannot live without waterfalls.” And, almost 90 years after the completion of the main building, the course of American architecture is very unsettling and imagining.
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Based in Seoul Colin marshall Write and broadcasting stationTS about cities, languages, and culture. His projects include the Substack Newsletter Books about cities And the book The Stateless City: Walking through 21st century Los Angeles. Follow him on social networks previously known as Twitter @colinmarshall.