August 26, 2024
Maurice Duruflé (1902-1986) was one of the greatest sacred music composers of the 20th century. Requiem
and the motet “Ubi caritas.” His rich, tranquil choral and organ work combines a deep familiarity with Gregorian chant with an impressionist style and is imbued with a devout Catholic sensibility.
Organist and choirmaster Christopher Berry studied organ with Duruflé’s widow, Marie-Madeleine Duruflé. Berry joins the podcast to discuss the historical background of Maurice Duruflé. From an early age, he learned the ancient church chant tradition, and as an adult, he practiced the sacred music teachings of Pope St. Pius X, who was a major influence on his generation. Duruflé studied at the Paris Conservatory and received rigorous training in improvisation, a core skill for French organists at the time. His approach to improvising over chant and hymn melodies can still be heard in Catholic churches today.
link
Catholic Institute of Sacred Music https://catholicinstituteofsacredmusic.org/
Music featured in this episode:
Excerpt from Requiem – Voices of Ascension https://www.amazon.com/Durufle-Album-Requiem-Messe-Jubilo/dp/B0000006ZS
Prelude and Fugue on the Name of Alain, Op. 7 – performed by Marie-Madeleine Duruflé
Excerpt from Choral Variations on the Veni Creator op.4 – performed by Maurice Duruflé himself https://www.youtube.com/watch?v=3SBCDScgqsQ
Ubi Caritas – Choir of St. John’s Church, Elora
Tantum ergo – St. John’s College Choir
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